EVNNE Drop 'Backtalk' as a Proper Group — Every Member Wrote the Words
After two years as a Boys Planet project act, the five-member group makes their official debut with an all-member-penned single

EVNNE are done being a project group. After debuting through Mnet's "Boys Planet" in 2023 as a seven-member temporary act, the group has formally reconfigured as a five-member permanent outfit — and their first official single, "뱉어 (Backtalk)," arriving April 20, is the clearest possible announcement of what they intend to do with this new chapter. Every word in both tracks was written by the members themselves.
The distinction matters more than it might initially seem. Project groups in the K-pop ecosystem operate under a different set of expectations: they are built from audition shows, run on a fixed timeline, and often dissolve or evolve once that contract period ends. Jellyfish Entertainment's EVNNE, now comprising Kaita, Park Hanbin, Lee Jeonghyeon, Moon Jeonghyeon, and Park Jihoo, is making a very specific choice to step out of that framing. "Backtalk" is not a project group release. It is a proper debut single from a group that decided to stay.
What "Backtalk" Actually Sounds Like
The musical direction EVNNE have landed on is not subtle. "Backtalk" is built on a digicore foundation — arpeggio synthesizers layered over distorted 808 bass and trap rhythm, a sound that sits closer to underground hip-hop club music than the polished idol pop that Boys Planet contestants are typically expected to deliver. The production choice signals something about what the group is trying to communicate: that the carefully managed image of a competition-show act is behind them.
The MV teaser released on April 16 makes that visual argument even more directly. The opening line — "Get ready, set & go" — sets a confrontational tone immediately, as the five members take over a dark iron staircase and let the beat drive their movement. The choreography is high-energy and controlled in a way that reads as earned rather than rehearsed, and the overall aesthetic — described by the group's label as "black charisma" — leans into shadow and contrast rather than the bright, approachable staging typical of newer acts trying to find a wide audience fast.
The title translates roughly as "Talk Back" or "Spit It Out," which maps directly onto the track's central message: holding your ground against external judgment and choosing your own direction regardless of what criticism comes from outside. The lyrics were jointly written by all five members — both the title track and the B-side "STAY" carry all five names in the writing credits.
The Significance of All-Member Songwriting
In Korean pop music, all-member songwriting credits on a debut single are worth noting — not because they are unprecedented, but because they carry specific weight in how a group is positioned. When every member of a new group shares writing credit on their first official release, it is a deliberate statement: these artists are not just performers executing someone else's creative vision. They have something to say and the access to say it.
For EVNNE specifically, the writing credits answer an implicit question that any project-group-turned-permanent-group has to address. The concern, for any long-term fan of competition shows, is always whether the relationships and creative energy of the audition period translate into something durable. A tracklist where all five members appear as co-writers on every song is a practical answer to that concern.
Park Hanbin, who emerged from Boys Planet as one of the show's most discussed participants, is among the five credited. Kaita brings a Japanese background to the group's international profile. The full lineup — Kaita, Park Hanbin, Lee Jeonghyeon, Moon Jeonghyeon, and Park Jihoo — has been active enough since the Boys Planet era to build a substantial global fanbase, one that has kept attention on the group through the reconfiguration period and a Seoul fan meeting earlier this year that served as the formal close of the project group chapter.
From Boys Planet to a Full Career
EVNNE's origin story runs through one of Mnet's most-watched competition formats. "Boys Planet," the 2023 series that assembled Korean and global trainees for a survival competition, produced EVNNE as its main debuting act. The show's format — part audition, part fan-vote-driven elimination — gave the eventual members significant public exposure before their debut, and the discography they built as a project group, including tracks like "How Can I Do," "HOT MESS," "Badder Love," "UGLY," and "TROUBLE," gave them a catalog to tour and a fanbase with real investment.
What those releases did not give them was permanence. The project group structure, by design, does not presume a long career. Jellyfish Entertainment's decision to reconstitute the group as a formal five-member act — and the members' choice to participate in that reconstitution — represents a bet that the audience built through Boys Planet and the subsequent releases is large enough and loyal enough to sustain a real career rather than a temporary run.
"Backtalk" is the first argument in that case. A digicore single with all-member credits, a confrontational visual identity, and a message about self-determination is a very specific creative brief — and it suggests the group has been thinking carefully about what they want their official debut to communicate.
April 20 and What Comes After
EVNNE's first single album "뱉어 (Backtalk)" releases April 20 at 6PM KST across all major streaming platforms. The album contains two tracks: "뱉어 (Backtalk)," the title, and "STAY," the B-side, both credited to all five members as co-writers.
The "drill" concept photos released ahead of the single have already generated significant preview attention, presenting the five members in a visual register that matches the track's energy: sharp, deliberate, and not particularly interested in being immediately approachable. That is a choice that project-group-era EVNNE would not have been positioned to make. Permanent-group EVNNE is making it directly.
Jellyfish Entertainment has not released a full promotional calendar beyond the April 20 launch date, but the combination of a strong debut single, a clearly defined visual identity, and a built-in global fanbase from the Boys Planet era means EVNNE enters this chapter with more infrastructure than most newly debuting groups can claim. How they use it starts next Sunday.
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저작권자 © KEnterHub 무단전재 및 재배포, AI학습 및 활용 금지

Entertainment Journalist · KEnterHub
Entertainment journalist specializing in K-Pop, K-Drama, and Korean celebrity news. Covers artist comebacks, drama premieres, award shows, and fan culture with in-depth reporting and analysis.
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