How SM Entertainment Finally Made K-pop's Most Feared Gossip Channel Pay Up
Court orders Sojang to pay $115K for defaming aespa, EXO and Red Velvet

A South Korean court has delivered one of the most consequential legal victories in K-pop's fight against online defamation, ordering the operator of the YouTube channel Sojang to pay SM Entertainment and its artists a combined 170 million won — approximately $115,000 — for years of targeted attacks against some of the agency's biggest acts.
The ruling, issued April 22 by the 14th Civil Division of Seoul Central District Court, covers damages owed to aespa, EXO, and Red Velvet, along with the agency itself. For fans of these groups who have watched Sojang spread fabricated stories and personal attacks for years, the decision represents exactly the kind of accountability they had long demanded.
Who Is Sojang — and Why Did This Case Matter?
If you follow K-pop online, you have likely come across Sojang at some point. The YouTube channel built a large following by posting videos claiming to expose secret information about K-pop idols — often mixing speculation, rumor, and outright fabrication with just enough fact to make the content feel credible.
Over time, Sojang became what courts would later describe as a cyber-wrecker operation: a channel that did not just gossip, but systematically produced content designed to damage specific artists' reputations and livelihoods. aespa, one of SM Entertainment's flagship 4th-generation groups, was among the most frequently targeted. So were veteran acts EXO and Red Velvet, whose long tenures in the industry gave Sojang years of material to work with.
SM Entertainment had seen enough. The agency filed a complaint against the channel's operator in April 2024, setting into motion a legal process that would take two years to fully resolve.
The Breakdown: What the Court Ordered
The April 22 ruling divides the 170 million won in damages into two categories. The first, 130 million won — roughly $88,000 — goes directly to the artists themselves: aespa, EXO, and Red Velvet. This portion compensates for the direct harm Sojang's videos caused to their personal honor and dignity, which Korean law recognizes as a fundamental right.
The second portion, 40 million won (approximately $27,000), goes to SM Entertainment as a company. The court found that by damaging its artists' reputations and public image, Sojang had also materially disrupted the agency's business operations and brand value. That the court recognized this kind of business obstruction claim is notable — it establishes that harm to an artist is not purely personal. It carries measurable commercial consequences, and an agency can seek redress for those consequences directly.
Beyond financial compensation, the Sojang operator received a two-year prison sentence, suspended for three years, along with 120 mandatory hours of community service. The criminal penalty adds a dimension that civil damages alone cannot: the formal acknowledgment that this kind of content creation is not simply harmful, but criminal.
The Language the Court Used
Courts do not often use forceful language, but the April 22 ruling was notably direct. According to SM Entertainment, the court stated that the operator had "spread false information about SM Entertainment singers through the Sojang channel and openly insulted them by producing and posting videos containing personal attacks or contemptuous expressions."
The ruling went further: "This clearly went far beyond the extent of expressing an opinion and seriously infringed on the singers' honor and personality rights." That phrase — "clearly went far beyond expressing an opinion" — is the key legal determination. It explicitly classifies Sojang's content not as protected commentary or legitimate criticism, but as defamation that crossed a legally actionable line.
This ruling upheld what the lower court had decided in January 2025. The April appeal process confirmed and finalized that earlier judgment, meaning the operator had already lost once and failed to overturn it on appeal.
Sojang's Broader Record of Convictions
This case did not happen in isolation. The Sojang operator had already been convicted in a separate matter involving IVE member Jang Won-young, who was among the most heavily targeted celebrities on the channel. In that earlier case, the operator was penalized 210 million won and sentenced to two years suspended, alongside community service requirements.
The accumulation of convictions across multiple cases and multiple targeted artists from different agencies represents something more than a string of individual legal defeats. It reflects a sustained pattern — and South Korean courts have responded to that pattern by treating each successive case with more clarity about what Sojang was actually doing and why it was unlawful.
What was once treated as internet gossip or fan drama has been recognized, case by case, for what it actually is: a targeted campaign of defamation with identifiable victims and quantifiable harm.
SM Entertainment's Ongoing Commitment
In a statement following the ruling, SM Entertainment was unambiguous about its intentions going forward: "We will continue to take strong legal action to protect our artists from illegal actions, criminal conduct, personal attacks, insults or contemptuous expressions and the spread of fake information."
This commitment is backed by institutional infrastructure that SM has built out specifically for this kind of protection. The agency's Kwangya 119 platform — a dedicated artist rights protection service — handles reports of defamation, illegal ticket reselling, and copyright violations. It represents one of the more visible examples in K-pop of an agency treating legal protection not as a reactive measure taken after damage is done, but as an ongoing operational priority.
What This Means for K-pop Artists
The Sojang ruling is part of a broader shift happening across the K-pop industry in how malicious online content is handled. For years, artists, agencies, and fans watched as so-called cyber-wrecker channels accumulated millions of views by targeting idol groups with fabricated content. The channels were profitable, difficult to shut down, and operated in a space where anonymous authorship made accountability feel impossible.
That space has been closing. The Sojang cases — alongside legal actions taken by other agencies and other artists — represent the development of a legal framework capable of pursuing digital defamation effectively. Each successful case adds to a body of precedent that makes the next case stronger.
Fan communities across platforms including Weverse, Twitter, and Reddit welcomed the ruling as a meaningful step. Many noted that while $115,000 is modest compared to what a channel with Sojang's following could earn over years of operation, the criminal conviction and the legal record it creates carry weight beyond the monetary figure. A suspended prison sentence and multiple civil judgments against a single channel makes its continued operation increasingly difficult to sustain — legally, financially, and reputationally.
For aespa — who are now preparing to release their second full-length album "LEMONADE" on May 29 — the ruling closes one difficult chapter. For EXO and Red Velvet, who have endured years of persistent targeted harassment, it is a formal acknowledgment that the harm was real, measurable, and worthy of legal remedy.
The message from the courts, and from SM Entertainment, is becoming increasingly difficult to ignore: K-pop's long tolerance for systematic online defamation has reached its legal limit.
Beyond the specific artists involved, the ruling also sends a signal to the dozens of similar channels that operate in the same space as Sojang. K-pop's online ecosystem has long supported a subculture of anonymous channels that traffic in celebrity rumors and fabricated narratives. Those channels now operate with a clearer understanding that South Korean courts are prepared to name, prosecute, and financially penalize the people behind them — regardless of how many layers of anonymity they use.
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저작권자 © KEnterHub 무단전재 및 재배포, AI학습 및 활용 금지

Entertainment Journalist · KEnterHub
Entertainment journalist specializing in K-Pop, K-Drama, and Korean celebrity news. Covers artist comebacks, drama premieres, award shows, and fan culture with in-depth reporting and analysis.
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