RIIZE Gets KBS Performance Playlist

KBS Kpop has released a long-form RIIZE performance playlist that gathers the group's broadcast stages from "Get A Guitar" through "Fame," giving fans a single official YouTube entry point for more than 90 minutes of stage history. The upload, presented through the broadcaster's K-All Playlist format, is not a new comeback music video, but it is a substantial official compilation that shows how RIIZE's performance identity has developed across music shows, year-end festivals and special stages since debut.

The June 18 video draws from KBS programs including Music Bank, The Seasons, Open Concert, Music Bank in Lisbon and global festival broadcasts. It begins with early 2023 stages such as "Siren," "Memories" and "Get A Guitar," then moves through "Talk Saxy," "Love 119," "Impossible," "Boom Boom Bass," "Bag Bad Back," "Fly Up," "Ember to Solar," "Hug" and "Fame." For a group that built its public image around performance clarity and a distinct emotional-pop lane, the playlist functions as both archive and introduction.

An Official Broadcast Archive For RIIZE's Growth

According to KBS Kpop's official YouTube channel, the playlist brings together a wide range of RIIZE stages rather than focusing on one promotion cycle. That structure makes the upload more valuable than a simple highlight clip. Viewers can watch the group move from debut-era material into later performances, observing changes in stage confidence, styling, camera interaction and audience scale. For fans who followed each original broadcast, the compilation is a convenient archive. For newer listeners, it is a guided path through the group's core televised moments.

The opening run of "Siren," "Memories" and "Get A Guitar" places the group's earliest identity at the front. "Get A Guitar" remains central to RIIZE's public story because it introduced the group's approachable rhythm and clean performance style to a wider audience. By including multiple Music Bank versions from September 2023, the playlist shows how a debut single can evolve across consecutive broadcast appearances. Small changes in energy, camera familiarity and stage polish become easier to see when the clips sit next to each other.

The inclusion of "Talk Saxy" and "Love 119" broadens that early picture. These stages help explain why RIIZE's catalog has been discussed through the idea of emotional pop: the group has often balanced youthful brightness with a polished, performance-driven structure. "Love 119" in particular benefits from being placed beside live-band and concert-format clips, because the song's melody and sentiment can read differently depending on the broadcast setting.

KBS also includes appearances from The Seasons and Open Concert, which matter because they move RIIZE beyond the standard music-show frame. Those programs tend to emphasize live presentation, audience connection and musical arrangement in ways that can highlight a group's vocal color and adaptability. For idol groups, that kind of cross-program exposure can help build credibility beyond short promotional stages. RIIZE's playlist uses those clips to show that the group has not been limited to one visual or one stage format.

From Music Bank To Global Festival Stages

The middle and later sections of the playlist move into bigger broadcast contexts, including the 2024 KBS Song Festival, Music Bank in Lisbon and the 2025 Music Bank Global Festival in Japan. Those selections are important because they show RIIZE operating in front of broader festival audiences. Festival stages often require a different kind of presence than weekly music shows. The camera scale changes, crowd response becomes more visible and the set list has to communicate the group's identity quickly to viewers who may not be dedicated fans.

"Impossible" and "Boom Boom Bass" mark a more expansive performance phase in the compilation. These songs brought sharper physicality and a stronger dance-forward impression to RIIZE's broadcast image. Seeing them after the debut-era clips gives the playlist a developmental arc: the group begins with youthful rhythm and guitar-driven branding, then moves into performances that rely on larger gestures, denser choreography and a more festival-ready sound.

The later additions, including "Bag Bad Back," "Fly Up," "Ember to Solar" and "Fame," extend the archive into RIIZE's newer stage language. The playlist's title emphasizes the span from "Get A Guitar" to "Fame," which is an effective shorthand for the group's movement from breakout debut recognition toward a broader catalog. Fans can read the compilation as a timeline of how RIIZE's performance choices have expanded while still keeping the group's clean visual coordination intact.

For KBS Kpop, the upload also makes strategic sense. Long-form official compilations can keep older broadcast clips discoverable without requiring fans to search across scattered uploads. They also encourage longer viewing sessions, which is useful for groups with audiences that enjoy replaying performances in sequence. In RIIZE's case, the 93-minute runtime turns the video into something closer to a performance marathon than a single clip.

Why The Playlist Matters For Fans And New Viewers

The value of the compilation lies in context. Individual music-show stages are often consumed quickly when they first air, then revisited only when a specific song trends again. A chronological or thematic playlist gives those clips renewed purpose. It allows fans to compare eras, revisit favorite outfits and camera moments, and trace how members handle different types of songs. It also gives international viewers an accessible way to watch official broadcast performances without navigating Korean program archives one by one.

RIIZE's existing profile helps make the playlist more meaningful. The SM Entertainment group has been framed as a fifth-generation act with a strong performance base and an emotional pop identity. Their first full-album era and world-tour activity have further pushed the group into a larger global conversation. Against that backdrop, an official KBS compilation functions as evidence of broadcast consistency. It shows the group repeatedly returning to major stages and building a visual record that fans can point to when explaining RIIZE's appeal.

The upload is also positive fan service. It does not rely on rumors or controversy; it packages official performances in a way that is useful, nostalgic and easy to share. For fans, the playlist can become background viewing, a study guide for choreography or a celebratory reminder of how much material the group has already built. For casual viewers, it offers a low-friction introduction: start with a familiar song, continue into festival performances and leave with a clearer sense of RIIZE's stage identity.

Because the source is KBS Kpop's official channel, the compilation carries the broadcaster's authority and production quality. The clips come from recognizable programs, with dates and titles listed in the video information. That makes the upload more reliable than unofficial edits and aligns with the principle that official broadcast content should be prioritized when covering performance-based news.

Looking ahead, the playlist may continue to serve as a reference point whenever RIIZE adds new stages to its catalog. As the group moves through additional promotions and overseas appearances, fans will likely compare future performances with the arc captured here. For now, the K-All Playlist gives RIIZE a substantial official archive on YouTube, documenting the path from "Get A Guitar" to "Fame" in one extended viewing experience.