The Film Lineup Korea Refused to Believe Was Real
Son Heung-min, G-Dragon, and Ha Jung-woo walk into a bank ad — and it's not a joke

On April 1, 2026, Hana Bank announced that acclaimed actor-director Ha Jung-woo had been recruited to helm a short film uniting all five of the bank's celebrity ambassadors — Son Heung-min, G-Dragon, Kang Ho-dong, Lim Young-woong, and IVE's Ahn Yu-jin. The reaction was immediate and universal: this had to be an April Fools' joke. Five of the biggest names in Korean popular culture, assembled under a respected filmmaker's direction, as a banking advertisement? Come on.
Ha Jung-woo himself appeared to confirm the suspicion. His response to the announcement on social media — "제가요?? 언제요??" (Is that me?? When??) — played perfectly into the chaos, feigning complete ignorance of a project he had evidently been working on for some time. The internet took the bait enthusiastically. "역대급 만우절" ("Best April Fools' Day ever"), one comment read. Thousands agreed.
Then Hana Bank published behind-the-scenes photographs on April 3rd, and the whole thing turned out to be entirely real. The short film, titled Hana Universe (하나 유니버스), was genuine. Ha Jung-woo had directed it. All five celebrities had participated. And it would be releasing on April 10, 2026, on Hana Bank's official YouTube channel.
Korea, which had been laughing along with what it assumed was an elaborate hoax, found itself suddenly and genuinely excited instead.
Five Ambassadors, One Director, One Extraordinary Line-Up
To understand why the announcement caused such confusion — and such delight when confirmed — it helps to understand who these five people are in the context of Korean cultural life in 2026.
Son Heung-min is South Korea's most celebrated athlete, a Tottenham Hotspur captain who regularly appears on lists of the world's best footballers and whose popularity at home extends far beyond sports. He is a different category of fame in Korea — not just celebrity, but something closer to a national symbol. His brand endorsement decisions are consequential enough to generate news coverage on their own.
G-Dragon — born Kwon Ji-yong, leader of BIGBANG — is one of K-pop's defining figures. His influence on Korean music, fashion, and popular aesthetics over the past two decades is difficult to overstate. His 2025 solo album Ubermensch reasserted his presence after a period away, and his return to the public eye has been one of the year's more closely watched storylines in Korean entertainment. He joined Hana Financial Group as a brand ambassador in January 2025, described by the company as bringing "trendy and creative character."
Kang Ho-dong is perhaps the most enduring figure in Korean variety television — the host whose charisma and timing have anchored countless shows over three decades. He is, in the language of the industry, a "walking institution." His presence in any project implies warmth, familiarity, and broad public trust.
Lim Young-woong is the trot singer whose popularity across age groups — particularly among middle-aged and older Korean audiences — has made him one of the country's most commercially successful performers of the early 2020s. His connection with Hana's asset management campaigns targets a demographic that is genuinely responsive to his image.
Ahn Yu-jin, a member of the girl group IVE and one of K-pop's most prominent current idols, bridges the generational gap — she represents the bank's pitch to the MZ generation, young professionals for whom an app and a "달달 하나 계정" (Sweet Hana Account) are more relevant than traditional banking products.
Ha Jung-woo: The Filmmaker Behind the Bank Ad
The decision to hire Ha Jung-woo as director elevated the project beyond the usual territory of corporate entertainment content. Ha is best known internationally as an actor — his credits include The Wailing, The Yellow Sea, The Berlin File, and numerous other films that established him as one of the most compelling presences in Korean cinema over the past fifteen years. What is less widely known outside Korea is that he has also been building a parallel career as a director, with four feature films completed as of early 2026.
His directorial work includes Rollercoaster and Heo Sam-gwan, as well as more recent projects that wrapped in 2024 and 2025. He is not a hobbyist filmmaker doing the occasional passion project — he is an active director with a completed body of work. Bringing that credential to a Hana Bank anniversary production is part of what the bank was clearly paying for: not just a well-produced advertisement, but something with genuine cinematic ambition behind it.
The wordplay in Hana's official announcement made the casting almost too cute to ignore. "하나픽처스니까 하정우 감독으로 픽!" the bank declared — a pun connecting the "하" (Ha) in Ha Jung-woo's surname with "하나" (Hana, meaning "one"), and the English word "pick" used in its Korean slang sense to mean "our choice." It is the kind of headline that tells you the marketing team was very pleased with themselves. Given the response, that satisfaction appears to have been warranted.
The Banktainment Strategy and What It Tells Us
Hana Universe does not exist in isolation. It is the most ambitious expression so far of what Hana Financial Group calls "뱅크테인먼트" — banktainment — a deliberate strategy of producing entertainment content that goes beyond traditional advertising, designed to build genuine cultural relevance alongside brand visibility.
The September 2025 YouTube series "하나뿐인 무릎팍박사" — a reimagining of the classic variety format "무릎팍도사" with Kang Ho-dong hosting and G-Dragon and Son Heung-min as guests — was an early experiment in this approach. It performed well enough to validate the strategy. Hana Universe is the next level: a proper short film, five celebrities, a director with real cinematic credentials, and a release event designed to generate cultural conversation rather than simply exposure.
The April Fools' Day announcement timing was almost certainly not accidental. A genuine reveal on April 1st, designed to be disbelieved and then confirmed — that is a marketing move calibrated to maximize both initial confusion and the subsequent satisfaction of correction. The joke, it turns out, was on everyone who assumed Korean banks couldn't make genuinely interesting content.
What to Expect on April 10th
Very little has been revealed about the actual content of Hana Universe. The behind-the-scenes photographs confirmed the production took place, and the talent list confirmed who was involved. The title — Hana Universe — suggests a concept broad enough to accommodate five very different public personas under a single narrative frame, though what that frame looks like in practice will only be clear when the film lands on the bank's YouTube channel on April 10th.
The release will almost certainly generate significant viewership beyond Hana's existing subscriber base, driven by the fanbases of each of the five participants. G-Dragon's following alone is considerable enough to spike any content he appears in; Son Heung-min's reach extends meaningfully into international audiences; and the IVE fanbase's engagement numbers consistently rank among the highest in current K-pop. That is, by any measure, an extraordinary coalition of audiences to have pointed at a single piece of corporate content.
Ha Jung-woo's involvement means that "corporate content" might end up being an undersell. He has made it clear across four feature films that he takes directorial work seriously. Whether a short film commissioned for a bank's anniversary can fully accommodate the cinematic sensibility he brings to his own projects is an open question — but the fact that it's a question worth asking at all, about a banking advertisement, is itself a measure of how unusual this project is.
Korea thought it was being pranked. It wasn't. The film arrives April 10th. Given what is known about the lineup and the mind behind it, the question is no longer whether it will be worth watching — it's whether it will be as extraordinary as the cast makes it sound.
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저작권자 © KEnterHub 무단전재 및 재배포, AI학습 및 활용 금지

Entertainment Journalist · KEnterHub
Entertainment journalist focused on Korean music, film, and the global K-Wave. Reports on industry trends, celebrity profiles, and the intersection of Korean pop culture and international audiences.
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