The Queen Who Crowns: Your Complete Guide to TVING's Most Anticipated Sageuk of 2025

From villain to queen — Cha Joo Young leads a gripping historical drama about the iron-willed woman who helped build Joseon

|6 min read0
A scene from 'The Queen Who Crowns' depicting the Joseon royal court — YouTube: CJ ENM Global
A scene from 'The Queen Who Crowns' depicting the Joseon royal court — YouTube: CJ ENM Global

TVING's historical drama "The Queen Who Crowns" premieres tomorrow, January 6, 2025. Starring Cha Joo Young as Queen Wongyeong — the calculating, steel-nerved architect behind her husband's rise to become King Taejong — the series promises to reframe a familiar dynasty through the eyes of a woman the history books have long undervalued. Available on TVING starting at 14:00 KST and on tvN at 20:50 KST, with international viewers able to stream via Viki, this 12-episode sageuk runs through February 10, 2025. Whether you are a devotee of Korean historical dramas or a newcomer drawn in by the cast, here is everything you need to know.

From The Glory Villain to Joseon Royalty: The Cha Joo Young Phenomenon

If the name Cha Joo Young rings a bell, it is almost certainly because of her jaw-dropping turn as the cruel, status-obsessed Park Yeon-jin in Netflix's The Glory (2022). In that drama, she played a bully whose decades-long reign of torment finally caught up with her — and she played it with a cold, almost theatrical malevolence that made viewers simultaneously despise and unable to look away from her character. It was a breakout performance in every sense of the word, earning her a wave of new international fans and industry recognition that had eluded her despite earlier work in series like Itaewon Class.

The leap from K-drama villain to Joseon dynasty queen is not as unlikely as it sounds. What made Cha Joo Young's Park Yeon-jin so arresting was precisely the quality that Queen Wongyeong demands: the ability to project authority, danger, and wounded pride all at once. Cha Joo Young has spoken in interviews about the physical and psychological preparation required to inhabit a woman who wielded real power in a world that was never designed to grant it to her. Her co-star Lee Hyun Wook, who portrays Lee Bang-won — the ambitious prince who would become King Taejong, the third ruler of the Joseon dynasty — brings a complementary intensity to the screen. Known for his commanding presence in previous dramas, Lee Hyun Wook's Bang-won is expected to be as much adversary as partner to Wongyeong, which is, historically speaking, exactly right.

The Real Queen Wongyeong: A Historical Primer

Queen Wongyeong is not a name that appears frequently in popular Korean historical drama, and that absence is itself a kind of injustice. In reality, she was one of the most consequential figures of the early Joseon period. Born into the Yeoheung Min clan, she married Lee Bang-won before he seized power through a series of brutal political purges — most infamously the First and Second Strife of Princes — that eliminated rivals including his own brothers. Wongyeong was not a passive observer in these events. By most historical accounts, she was an active strategist, using her intelligence, her family connections, and her sheer force of will to help her husband claim the throne.

What makes her story particularly rich for dramatic adaptation is what came after the crown was won. Despite her indispensable role in Bang-won's rise, Wongyeong spent much of her reign as queen navigating rivalry with royal concubines — most pointedly with the women her husband favored over her. The drama introduces Lee Yi-dam as Chae-ryeong, a servant who becomes the king's lover, and Lee Si-a as Yeong-sil, a concubine, setting up the personal and political tensions that defined Wongyeong's life as queen. This intersection of statecraft and domestic power struggle is precisely what the best sageuk have always excelled at exploring — and it is a theme that resonates far beyond the Joseon court.

The broader context matters here too. The sageuk genre has been undergoing a quiet evolution in recent years. Where historical dramas once leaned heavily on male protagonists and battlefield narratives, audiences and producers alike have been gravitating toward stories that center the women who operated within — and sometimes reshaped — patriarchal systems. The Queen Who Crowns sits squarely in this emerging tradition, and its timing feels deliberate.

What the Early Buzz Tells Us

Critical reception ahead of the premiere has been cautiously positive, with particular praise directed at the drama's cinematography and production design, which reportedly render the early Joseon court with considerable visual richness. Cha Joo Young's performance has drawn early admiration from those who attended preview screenings, with reviewers noting that she carries the dramatic weight of the series with an assurance that validates the casting decision entirely. The series holds an IMDb rating of 7.5, suggesting a drama that delivers on its core promises even if it does not transcend every convention of the genre.

From a platform strategy perspective, The Queen Who Crowns represents an important marker for TVING. The streaming service has been aggressive in positioning itself as a destination for premium Korean content, and a prestige sageuk with a cast of this caliber — paired with a simultaneous tvN broadcast — signals confidence in the project's reach. The dual release model, with TVING offering episodes several hours before the television broadcast, is also a deliberate play to reward streaming subscribers and build social media momentum before traditional viewers tune in.

Your Viewing Guide: Where to Watch and What to Expect

The Queen Who Crowns premieres on January 6, 2025, with new episodes available on TVING at 14:00 KST every Monday and Tuesday, followed by the tvN broadcast at 20:50 KST the same evening. International viewers can catch the series with subtitles on Viki. The drama runs for 12 episodes in total, concluding on February 10, 2025.

If you are coming to this series as a fan of The Glory looking to follow Cha Joo Young's career, expect a very different kind of performance — one that trades contemporary menace for historical gravity. If you are a sageuk enthusiast, the early Joseon setting and the focus on Queen Wongyeong's strategic mind offer something genuinely fresh within a well-loved genre. And if you are simply looking for the most compelling Korean drama to start your 2025 viewing with, The Queen Who Crowns makes an exceptionally strong case for itself as the season's first must-watch.

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Park Chulwon
Park Chulwon

Entertainment Journalist · KEnterHub

Entertainment journalist focused on Korean music, film, and the global K-Wave. Reports on industry trends, celebrity profiles, and the intersection of Korean pop culture and international audiences.

K-PopK-DramaK-MovieKorean CelebritiesGlobal K-Wave

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