What Soyu Said About SISTAR at 23 Just Hit Different

The veteran vocalist returns with third solo EP and a candid look at her career

|5 min read0
Soyu during the behind-the-scenes filming of her Off Hours EP music video — Photo: Melon Magazine
Soyu during the behind-the-scenes filming of her Off Hours EP music video — Photo: Melon Magazine

Soyu is back — and she brought something to say along with her new music. The veteran vocalist, best known as a member of beloved girl group SISTAR, has returned with her third solo EP, "Off Hours," released on April 29, 2026. To mark the occasion, Soyu stepped onto a rather unconventional stage for a comeback performance: a coin laundromat, on the inaugural episode of the new web entertainment series "Monthly Daeum" (월간다음).

The setting alone is perfectly on-brand for an artist who has never been afraid to do things her own way. Sixteen years into her career — first with SISTAR, then as a solo act who quietly built one of the most credible vocal reputations in Korean pop — Soyu is entering her "off hours" era with a cool confidence that her longtime fans have come to expect.

A Throwback to 23: Soyu Reflects on That SISTAR Lyric

During the "Monthly Daeum" taping, host HYNN (Park Hye-won), who is 29, kicked off the episode by covering SISTAR's classic "Give It To Me" — a song whose opening lyric references a woman who wonders if she'll be married before she turns thirty. It was a choice that sparked a surprisingly candid conversation.

HYNN admitted the lyric landed differently than she expected as she crept toward 30: "I used to think it was just a seductive, cool song, but when I realized what the lyrics were actually about, it was a whole other feeling."

Soyu, who was 23 when SISTAR recorded the song, laughed at the reaction. "When I was singing that line, I genuinely thought — well, of course you'd be married before thirty. That seemed perfectly normal to me back then," she said. "Nowadays people ask me to swap it out to forty or fifty."

The exchange went viral among fans not just for its humor, but for the way it illuminated how much time has passed — and how naturally Soyu navigates that passage. She is 36 now, performing the same catalog with a very different perspective. That kind of self-awareness is exactly what "Off Hours" is built around.

What "Off Hours" Is Really About

The EP's title is deliberately unhurried. "Off Hours" is about the time beyond the schedule, the unstructured space where people become more themselves. For Soyu, who spent nearly a decade in the tightly wound world of a major girl group, that kind of personal freedom is something she's been learning to inhabit as a solo artist.

Ahead of the full EP's release, Soyu dropped a pre-release single, "See Through," on April 16. The track is described as a high-energy pop R&B number that approaches the feeling of being drawn to someone not through calculated thinking, but through instinct and raw attraction. It was a deliberate choice to open the album cycle with something that feels visceral rather than polished — a statement of intent.

The full "Off Hours" EP, released April 29 through Magic Strawberry Sound, extends that energy across multiple tracks. Soyu noted in her comeback comments that her 2025 single "PDA" had been a turning point for her — that it gave her confidence to experiment with new genres without worrying about whether she would come across as trying too hard to appeal to younger listeners. "I was worried I'd seem like a 20s-wannabe auntie," she admitted with characteristic candor. "With 'Off Hours,' I tried to find the balance."

From SISTAR to Solo: A Career Built on Staying Power

For international K-pop fans who may be less familiar with Soyu's solo journey, a quick primer: she debuted with SISTAR in 2010 as part of a four-member group under Starship Entertainment that would go on to become one of the defining acts of the second-generation K-pop era. Songs like "Alone," "Touch My Body," and "Shake It" gave the group an unmistakably bold sonic identity rooted in summer anthems and powerhouse vocals.

Soyu stood out within the group as its lead vocalist, and she translated that presence into a successful parallel solo career. Her 2014 collaboration with rapper Junggigo, "Some," became one of the year's biggest hits and remained on charts for months — a rare feat for a Korean pop release at the time. The song's breezy, will-they-won't-they tension gave Soyu a distinct solo identity that was softer and more introspective than the SISTAR brand.

When SISTAR officially disbanded in 2017, Soyu continued to release music independently, gradually stepping into more mature sonic territory. She has since moved to Magic Strawberry Sound, a label known for nurturing a more musician-forward approach to K-pop releases.

Why This Comeback Matters Beyond the Music

There's something meaningful about Soyu's continued presence in the Korean music scene. She represents a cohort of second-generation K-pop artists who have managed the difficult transition from group-era prominence to sustainable solo careers — a road far fewer have successfully navigated than the industry's revolving door of groups might suggest.

Her appearance on "Monthly Daeum" — a show that blends live performance with candid interview in intimate, everyday settings — signals an artist who is comfortable enough in her skin to skip the standard promotional machinery in favor of something more personal. The coin laundromat, the frank laughter about lyrics she once sang without understanding them fully, the open discussion of what it means to be in your mid-30s in the entertainment industry: all of it adds up to an artist operating on her own terms.

The response from fans has been warm. Many long-time followers noted that her SISTAR throwback moment on "Monthly Daeum" was exactly the kind of unguarded candor that keeps them engaged with Soyu as an artist — not just a musician, but someone whose perspective has genuinely evolved over time.

"Off Hours" is available now across all major streaming platforms. For those new to Soyu, the EP is a good entry point — and for those who have been following her since the SISTAR days, it's a reminder that some voices only get better with age.

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Park Chulwon
Park Chulwon

Entertainment Journalist · KEnterHub

Entertainment journalist focused on Korean music, film, and the global K-Wave. Reports on industry trends, celebrity profiles, and the intersection of Korean pop culture and international audiences.

K-PopK-DramaK-MovieKorean CelebritiesGlobal K-Wave

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